Hawks News

In the Nest and On the Road

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by Randall Roberts
Los Angeles Times
July 19, 2018

I See Hawks in L.A., “Live and Never Learn” (Western Seeds Record Company). Within the first two verses of this longtime twang band’s eighth studio album, singer-guitarist Rob Waller has asked some big questions about contemporary America, and has done so through a genre — guitar-driven country rock — that hasn’t changed much since the Nixon presidency.

After noting in opening song “Ballad for the Trees” that that “every age is without precedent,” Waller wonders whether “we’ve broken with how to be alone,” and asks, “Are we drowning in the sea/ Of facts that come too easily/ And friends we never see?”

Perhaps, but if so, Waller and band don’t dwell on it. Across the 14 songs on “Live and Never Learn,” I See Hawks in L.A. touch on less heady themes such as smoking weed in a basement while watching the Eddie Murphy movie “Trading Places” on a black-and-white TV; smoking weed after a breakup with someone who then becomes a born-again Christian; taking speed and listening to country music; and a titular “King of the Rosemead Boogie,” who “hocked himself a loogie” that he “spit in the air just like he didn’t care” — and then consumed a cocktail of “two Jacks and one toke, some shatter and some coke” and “a capacity of dope.”

Trouble? Waller, co-founding electric guitarist Paul Lacques and the rhythm section of Paul Marshall (bass) and and Victoria Jacobs (drums) seem to know its contours. Even when Waller tries to convey sunshine, it comes at a price. The final song, “Stop Me,” finds his narrator staring at the sun because it’s so beautiful, unable to look away and begging for help.

He runs a parallel idea on songwriting in the next verse. “Stop me, I’ve been singing on this street for too long/ Trying to find my way to a beautiful song.” As if he’s helpless, the artist seems to rail against a muse that produces regardless of outcome — “staring into the sun/ This used to be fun/ I’m starting to believe/ there’s no prize to be won.”

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I See Hawks In LA, The Green Note, London, 19th July 2018

Posted on July 23, 2018

I See Hawks In LA opened their extensive UK tour with this sold out performance at London’s Green Note, and were in fine form. Playing as a four piece and “acoustic” with Paul Lacques on lead guitar, Victoria Jacobs on snare drum and tiny cymbal, Rob Waller on guitar and lead vocals and Paul Marshall the one exception to the acoustic rule by playing electric bass. They began their first set with a song that really tells you all you need to know about I See Hawks In LA – ‘Raised by Hippies‘.

It’s a celebration of a woman who was born on an old school bus after the Summer Of Love, and who, despite going out into the world when older, is never broken down by the constraints of the world to abandon a faith in what’s important in life – people, love, caring.  Sounds heavy – but it isn’t; it’s beautifully crafted, like all I See Hawks In LA songs, there’s a common clinging to a world view that is about more than greed and spite. And if there’s something wrong with that then we’ll need a written counter-argument with diagrams. It’s not a naive song – Rob Waller acknowledges that the parents “did some things wrong” before adding “but they raised their children right / and they did it for a song“. It’s a sentiment that reappears on ‘Tearing me in too‘ which Rob wryly introduces as being about those feelings “when you’re out on the road playing music – but you miss your family, although sometimes you’re with your children and….you really want to be playing music.” The eternal dichotomy of dual loves. It’s a song, like many others, that is taken from the band’s new album ‘Live and Never Learn‘ – which is another excellent collection.

All through the set Paul Lacques adds wonderful guitar solos that lift lightly from the ground, whilst Paul Marshall keeps everything grounded with his discretely interjecting bass and Victoria Jacobs performs literal miracles of brushed drumming with her instrument – one can’t really raise a single snare to the heady heights of being a drum kit. Despite all this, there are occasional claims in the first set of moments of synchronised jet lag – the Hawks had only landed in the UK the day before – and these claims are repeated in the interval as the band hang-out and chat relaxedly with the audience. But if this is truly I See Hawks In LA slightly sub-par then no-one but the band could tell. The first set had slipped by in a dreamy flash, with a glorious ‘I Fell in Love with the Grateful Dead‘ closing it out. It’s a great song of a Dead-Head’s adventures, taking to the trail and following Gerry and the band across the States and on to Europe. It’s not nostalgia – it’s just the retelling of a great musical quest, vegetarian food and the bonds of friendship in a loose community.

There’s a similar feeling of a happy retelling on ‘Good andFoolish Times’ which jounces along like a battered vehicle driven just a little too fast down a dusty side road as Rob Waller sings “Didn’t we have some good times ? / some good and foolish times ? / Didn’t we have some good and foolish times ? / Didn’t we take some long rides / some long and winding rides?” and the band harmonise behind him.

The second set was geared a little more towards the higher tempo and rocky reaches of I See Hawks In LA output. ‘Humboldt‘ is a road trip for not strictly legal purposes song which pounds along down the freeways with Paul Laques’ guitar just burning higher and higher. If this was a fist-pumping audience then fists would have been pumped. There’s a swinging ‘Live and Never Learn‘ which beats along like a train down a track whilst pointing out how unlikely it is that unthinking and foolish behaviour will ever stop being foolish and unthinking. Ultimately the futility is self-deprecatingly spelt out: “every slight, every way I treated her unkind, every promise I knew I’d break, every friend looks the other way, every leap I never took”.

In the first set ‘California Country‘ had been virtually a description of the sound of I See Hawks In LA – there’s country in the mix but it’s really country influenced rock, steering tonight towards an acoustic set from that inspiring band The Grateful Dead. There’s the same kind of mix of lyrical wonder and the really small parts of life that are maybe the most important parts as well. It’s not, though, the totality of their sound – Paul Marshall took lead vocal duties for a straight country ballad ‘Truth is – you lied‘ whilst Rob and Victoria take call and response turns to tell the story of a bad car crash on the folky meets soul ‘My parka‘. This is a song that gets laughs – especially when Rob Waller’s fantasy that the liquor store owning drunk driver who hit Victoria Jacobs is struck with remorse and hands out free booze to her “all through high school.” This is slapped down with “hey Bob, that never happened.” This, though, is not the heart of the song, amusing as it is, but this is the true nugget: “my parents came to the Emergency Room and when they took my parka off chunks of glass fell out onto the floor / and my Dad burst into tears…and that’s when I knew he loved me.” Heart and family.

Wry humour, great music, unabashed joy of living, lovely harmony singing, foolishness, environmental concerns and the hazards of love – the upsides and the downsides of caring about someone. That’s what a couple of hours in the company of I See Hawks In LA is about. They have a long road ahead of them in July and August; it’s doubtful if they’ll reach the end with any T-Shirts or CDs left; they may even be a bit more battered – but triumphant as well. There is surely no better time to get out and see I See Hawks In LA.

Author: Jonathan Aird

Sure, I could climb high in a tree, or go to Skye on my holiday. I could be happy. All I really want is the excitement of first hearing The Byrds, the amazement of decades of Dylan’s music, or the thrill of seeing a band like The Long Ryders live. That’s not much to ask, is it?

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June 19, 2018

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